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Tree of life

The tree from the middle of Thérèse de Dillmont’s Gothic border, 1886. Narrow enough for a bookmark.

Lifted from fig. 319, which we checked against the 1886 scan: overlay and mirror check. How we check

Stitches15 × 49 · 349 stitches
SizeSmall
Finished size
  • 2.7 × 8.9 cm on 14-count Aida
  • 2.4 × 7.8 cm on 16-count Aida
  • 2.1 × 6.9 cm on 18-count Aida
  • 2.7 × 8.9 cm on 28-count linen, over two
ColoursOne colour, worked here in two shades
DMC 797 Royal Blue, 1 skein
DMC 783 Topaz Medium, 1 skein
TimeAbout 2.5 h
LevelBeginner
Form and styleMotif · Vintage · Folk · All motifs
SourceDillmont, Encyclopedia of Needlework, 1886, from fig. 319

Colourways

Our suggested colours first, then the original ones: Turkey red, indigo or mahogany. In two shades, the darker thread goes on the outside stitches.

ColourwayDMCNameStitchesSkeins
Royal blue and mustard797Royal Blue1971
783Topaz Medium1521
Terracotta and sage3830Terra Cotta1971
3053Green Gray1521
Forest and blush3362Pine Green Dark1971
3779Rosewood Ultra Very Light1521
Mahogany, two shades300Mahogany Very Dark1971
402Mahogany Very Light1521
Turkey red, one shade321Red3491
Indigo, two shades311Wedgwood Ultra Very Dark1971
334Baby Blue Medium1521

Where it’s from

Dillmont found this border and its partner, fig. 320, “lying un-heeded in a remote corner” of the national museum in Munich.

Thérèse de Dillmont, Encyclopedia of Needlework, 1886, fig. 319. See the scan.

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